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Lord of the Rings

Figure Gallery

LOTR Home Page  |   Scenarios  |   Battle Reports  |   Making Isengard  |   Making Minas Tirith  |   Making the Mines of Moria  |   Making a Mūmakil  |   Figure Gallery

Gallery:  Map  |   Angmar  |   Arnor  |   Dunland  |   Dwarves  |   Elves  |   Fangorn  |   Gondor  |   Harad  |   Isengard  |   Khand  |   Mirkwood  |   Mordor  |   Moria  |   Rhun  |   Rohan  |   The Fellowship  |   The Shire

Click to see figures from The Shire Click to see figures from The Shire Click to see figures from Arnor Click to see figures from the Fellowship Click to see figures from Angmar Click to see figures of Dwarves Click to see figures from Mirkwood Click to see figures from Elvish lands Click to see figures from Moria Click to see figures from Dunland Click to see figures from Isengard Click to see figures from Elvish lands Click to see figures from the ancient forest of Fangorn Click to see figures from Rohan Click to see figures from Gondor Click to see figures from Rhun Click to see figures from Mordor Click to see figures from Harad Click to see figures from Khand

Click on different areas of the map of Middle Earth to see photos of the figures from that area.

If you have trouble locating the area on the map, then just click on the region name above.

See if you can find the link to all the following areas :-

Angmar

Arnor

Dunland

Dwarves

Elves

Fangorn (Ents)

Gondor

Harad

Isengard (Uruk-hai)

Khand

Mirkwood

Mordor

Moria

Rhun (Easterlings)

Rohan

The Fellowship

The Shire

Map of Middle Earth by artist Pauline Baynes, who worked with J.R.R. Tolkien in 1968 or 1969 to create this colourful map.

Painting the Figures

Usually the figures are given a black undercoat first. Then the colours are dry brushed on. This is where paint is put on the paintbrush and then most of it is wiped off, leaving only a small amount on the brush. The brush is then lightly wiped across the high points. This leaves the black in the creases to give a great look of depth to the figure.

To enhance this further, often lighter and lighter shades are then dry brushed over the same colour, making sure that less and less pressure is applied to the brush so that the lighter shade does not fully cover the darker shade underneath. This gives good transition of the colours.

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Above. Khandish cavalry. Painted by Jeremy Shannon.

Above. Uruk-hai Scout. Painted by Peter Jenkins.

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